VISIONI DAL MONDO INTERNATIONAL DOCUMENTARY FESTIVAL 2023 Italian Competition
L.A. INDIES 2023 Best Feature Documentary
BOSTON INDIPENDENT FILMS AWARD 2023 Best Feature Documentary
CANNES ARTS FEST 2023 Award Winner
WORLD CINE FEST 2023 Winner Best documentary
TOKYO INTERNATIONAL CINENA AWARD 2023 Nominee
BERLIN WOMEN CINEMA FESTIVAL 2023 Nominee
SWIDISH INTERNATIONAL FILM FESTIVAL 2023 Nominee
HOLLYWOOD DISCOVERY AWARDS 2023 Nominee
BRITISH FILM FESTIVAL 2024 Quarter-Finalist
ARFF BERLIN INTERNATIONAL AWARDS 2023 Quarter Finalist
AUSTRALIAN FILM FESTIVAL 2023 Winner
NEW YORK ARTHOUSE FILM FEST 2024 Winner
TEAM IMPA (CANADA) 2024 Winner
GOLDEN REAL LAUREL 2024 GERMANY INTERNATIONAL FILM FESTIVAL 2024 Awards Winner
SWISS INTERNATIONAL FILM FESTIVAL 2024 Awards Winner
YETI 2024 Semi-finalist
FILMHOUSE 2024 Semi -finalist
NOCTURNA 2024 Nominee
CLIMAX 2024 Semi-Finalist of Festival Internacional de Cinema Independiente
AUSTRALIA FILM FESTIVAL SPECIAL Jury Award 2024 Winner
NEW YORK INDIPENDENT CINEMA AWARDS, 2025 Nominee
LA INTERNATIONAL CINEMA AWARDS, 2025 Nominee
LOS ANGELES MOVIE AND MUSIC VIDEO AWARDS, 2025 Honorable Mention
LA SUN FILM FEST, 2025 Winner
LONLEY WOLF FESTIVAL INTERNATIONAL FILM FESTIVAL, 2024 Best feature documentary nominee finalist
NEW YORK FILM AND CINEMATOGRAPHY AWARDS, 2024 Honorable Mention
FARO FILM FEST, 2024 Nominee
NEW YORK INDIPENDENT CINEMA AWARDS, 2025 Nominee
CINEMA ROYALE, 2025 Winner
LA SUN FILM FEST, 2025 Winner
NEW YORK FILM & CINEMATOGRAPHY AWARDS, 2025 Honorable Mention
INDIEMANIA PRAGUE 2025 Nominee
ICEBERG FILM AWARDS 2025 Nominee
LOS ANGELES FILM AND DOCUMENTARY AWARDS, 2025 Winner
GERMANY INTERNATIONAL FILM FEST, 2025 Awards Winner
ART PARIS, 2025 Awards Winner
PRAGUE INDI MAMIA FILM, 2025 Awards Winner
Synopsis
Mihai is a homeless Romanian aficionado of historical novels beggar in the center of Milan with Ela, his Albanian girlfriend.
The discovery of an association dedicated to helping the orphans of the Institute where Mihai had spent his infancy leads me to organize a return trip to Romania to find him a job and a house together with Ela. But Ela is suddenly repatriated to Albania, and Mihai no longer receives news about her.
He takes with him a dog that attracts the attention or an Ukrainian lady who, to save that animal from the street, offers Mihai a home and a job.
His life radically changes until, in a single moment, he manages to send it all crashing down.
director's note
It’s hard to fathom the thought processes of a person used to living on the street. Mihai told me about his life, starting with his awful early experiences at an orphanage. I tried to help him attain a normal life. I organized a trip to Romania, and looked for a house and job for him in Bukovina, the place he had always dreamt about as a boy. But maybe this isn’t what he is seeking.
PRODUCER: Michelangelo Pastore
DIRECTOR: Pepi Romagnoli
SUBJECT AND SCRIPTWRITER: Pepi Romagnoli
DIRECTOR OF PHOTOGRAPHY: Giuseppe Campo
COMPOSER: Joris Hermy, Alain Laurens & Clement Pieffer
CAST: Mihai Badea, Giovanni Bades, Pepi Romagnoli, Rosanna Romagnoli Bianchi, Ela Gjoni, Ancuta Elena Goia, Don Marco Borghi, Svetlana Terechtchenco, Eugenio Baldino, Giacomo Gelosini, Duilio Martini
EDITOR AND SUPERVISOR POST PRODUCTION: Edoardo Maimone
DURATION: 86’ – 52’
TARGET AUDIENCE: Sensitive to human and social values
GENRE: creative documentary
LANGUAGE: Italian
PARTNERS ON BOARD: Oana Muntean, Colective (Romania)
BEGINNING OF PRODUCTION: October 2021
END OF PRODUCTION: September 2023
INTERNATIONAL & ITALIAN RIGHTS: Michelangelo Film
POINTS OF VIEW (Italy) ★★★★ Reviewed by Adrián Pérez
Pepi Romagnoli’s documentary, or shall we say film essay, “Points of View” (Punti di Vista) is utterly captivating. It’s a raw, unpolished gem that shines with authenticity and humanity.
From the moment the camera focuses on Mihai, us spectators are transported to the streets of Milan, walking alongside both filmmaker and subject. Romagnoli’s guerrilla-style filmmaking, while technically rough around the edges, creates an intimacy that polished productions often lack. It’s as if we’re there with them, discovering Mihai’s story, feeling Romagnoli’s curiosity and compassion with every frame.
Mihai himself is a revelation. How many times have we walked past homeless individuals, wondering about their stories but never daring to ask? Through Romagnoli’s lens, we see not just a young man living on the streets, but a complex, intelligent individual who challenges every preconception we might hold about homelessness. Watching Mihai discuss literature and philosophy, we’re reminded of Jean-Paul Sartre’s explorations of freedom and authenticity. Mihai’s choice to live on the fringes of society raises profound questions about the nature of liberty in our modern world.
The emotional journey of this film is nothing short of extraordinary. We feel Romagnoli’s hope and determination as she seeks to help Mihai, and share her devastation upon learning of his gambling addiction. This twist in the documentary’s story is heartbreaking, yet it adds a layer of complexity that elevates the work beyond mere observation to a nuanced exploration of human nature. It’s reminiscent of Werner Herzog’s ability to uncover the unexpected in his subjects, revealing the multifaceted nature of the human experience.
One of the most touching aspects of the film is the appearance of Romagnoli’s mother, the handwriting analyst. This moment is pure cinematic gold. It’s unexpected, insightful, and adds a personal touch that makes the documentary uniquely Romagnoli’s. Her assessment of Mihai’s writing as indicative of someone in control of their life adds an unexpected dimension to the story, challenging both Romagnoli’s and the audience’s perceptions. This moment exemplifies the documentary’s ability to surprise and provoke thought, elevating it beyond a mere observational piece to a nuanced exploration of human nature.
“Points of View” is more than just a documentary – it’s a transformative experience. It changes the way we see the world around us, especially the people society often overlooks. Romagnoli’s work embodies the highest ideals of documentary filmmaking: to challenge, to enlighten, and to foster empathy. Despite its technical imperfections – or perhaps because of them – her film achieves a rare emotional and intellectual resonance that many polished productions can only dream of.
Romagnoli’s courage in approaching such a complex subject with both empathy and unflinching honesty is truly commendable. She’s created a work that lingers in the mind long after viewing, potentially altering how we interact with and perceive the marginalised members of our communities. It’s a testament to the power of cinema to touch hearts and open minds.
In conclusion, Pepi, “Points of View” is a triumph of the human spirit – both yours and Mihai’s. It stands as a valuable contribution to the ongoing dialogue about social inequality, personal freedom, and the resilience of the human spirit in the face of adversity. Your film has moved me deeply, and I can’t wait to see what you create next. Keep pushing boundaries, keep asking tough questions, and most importantly, keep sharing these vital stories with the world. Your voice is important, and it deserves to be heard.



